Eoin O'Dowd
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  • CV
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  • Work
    • The Trouble with Doing a Lot with Very Little (2022 - )
    • Tama (2022)
    • Cathartic Heresy (2022)
    • Crown of Hands (2021)
    • Scáthán Teanga (2019)
    • Noise AVP (2017)
    • e.c.p. (2015)
    • A safe economy (2013)
    • Genii Cucullati (2013)
    • Prollage/s (2012)
    • Absence of the Behemoth (2011)
    • Strawboys (2022 - )
    • Díog olc - Recordings
    • Reassemblage Collage (2012 - )
  • Eight Gallery Archives
  • Home
  • CV
  • Contact
  • Work
    • The Trouble with Doing a Lot with Very Little (2022 - )
    • Tama (2022)
    • Cathartic Heresy (2022)
    • Crown of Hands (2021)
    • Scáthán Teanga (2019)
    • Noise AVP (2017)
    • e.c.p. (2015)
    • A safe economy (2013)
    • Genii Cucullati (2013)
    • Prollage/s (2012)
    • Absence of the Behemoth (2011)
    • Strawboys (2022 - )
    • Díog olc - Recordings
    • Reassemblage Collage (2012 - )
  • Eight Gallery Archives
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YOUR CART

New Living Art IV, I.M.O.C.A., Dublin, IRL (2013)
Sculpture by Artist Eoin O Dowd. Coffin adornments arranged and hung on white wall. NLA art exhibition.  Imoca
A Safe Economy: Coffin Adornments from Dublin Cemetery (2013)
Text:
These are objects of social inheritance and cultural artifacts from an age of mass production. The reverence industry, and the second of Kierkegarrd's absurdist solutions; The belief in a transcendental realm.  Sacred objects manufactured for the safest economy, that is the honoring of the dearly departed. 

Production lines of tiny imitation gold messiahs, reminiscent of  ancestor adoration, are nailed to their little crucifixes and shipped away for financial and spiritual consumption becoming all but commodities when their societal function is realised. 


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