e.c.p. I
Eoin O'Dowd, Song for Friends and Folly, Composition and text on paper, 8.3".11.7" (2015)
Received instructions: Create one cohesive 2D or 3D composition that is made from several separate parts
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A series of exhibits intended to create new starting points for new bodies of work, while maintaining continuous dialogue and encouraging artists to work outside their comfort zone. The series led to several new bodies and exhibitions among it's partitioners. Partitioners: Helen MacMahon, Steven Maybury, Eleanor McCaughey Claire Mc Cluskey, Louise McGrath, Eoin O’ Dowd, Fergal O’ Mahony, Emma Hogan, Kim Langton, Stephen Toomey, Keshet Zur.
For the first project, all taking part were given anonymously written instructions for the making of a piece, resulting in works vastly outside the norms of their practice. |
e.c.p. II
Experimental curatorial project II took place in the Mart Gallery Dublin, dubbed 'space'. Most participants were paired without preparation, and the works are result of spontaneous partnerships.
A coherent documentation can be found here.
Experimental curatorial project II took place in the Mart Gallery Dublin, dubbed 'space'. Most participants were paired without preparation, and the works are result of spontaneous partnerships.
A coherent documentation can be found here.
A series of projections with use of Helen MacMahon's apparatus resulted in the creation of several new projects,
such as the conception of MacMahon's 'Dissolution".
such as the conception of MacMahon's 'Dissolution".
Dissolution - Helen MacMahon
e.c.p. III
The third manifestation of e.c.p took place in Talbot Gallery Dublin. The project's intended starting point was a response to a film provided by the Experimental Film Society, with critical analysis of works provided by invited curator Moran Been-noon.
The resulting piece an experiment in means of displaying an original image was a starting point for several future collages.
The third manifestation of e.c.p took place in Talbot Gallery Dublin. The project's intended starting point was a response to a film provided by the Experimental Film Society, with critical analysis of works provided by invited curator Moran Been-noon.
The resulting piece an experiment in means of displaying an original image was a starting point for several future collages.
Eoin O'Dowd, Paper Collage Dissasemblage & Cuttings (2015)
